Clare Woods - Bibliography



Reality Dimmed (Mead Gallery, Warwick Arts Center, UK), (exh. cat.)


Victim of Geography (Dundee Contemporary Arts, Dundee, UK) 


The Romantic Thread in British Art (Southampton City Art Gallery, Southampton, UK) 

A. Marr, J.Higgie, M.Bracewell, R. Daniels, S. Martin, Clare Woods Strange Meetings, Art Books Publishing, London, UK 


Imagining A University, Fifty Years of The University of Warwick Art Collection (Warwick University, Warwick, England) 


A Tree A Rock A Cloud, Clare Woods (The National Collection Of Wales,Oriel Davies, Wales)

Brask Collection at Munkeruphus (Munkeruphus Art Museum, Gilleleje, Denmark)

Under the Greenwood, Picturing the British Tree from Constable to Kurt Jackson (St Barbe Museum and Art Gallery and Southampton City Art Gallery, Lymington, UK) 


Bracewell, Michael & Stephens, Chris: The Unquiet Head, Hepworth Wakefield, exhibition catalogue.
Hastings, Sheena: A larger landscape...and a epic sense of place, Yorkshire Post Interview, 21.11.11 p.3
Farkas, Rebecca: The Unquiet Head, A-N Magazine Review, p.34
Osborne, Sarah: Spirits of the Landscape, A story for children inspired by the paintings of Clare Woods.
Clare Woods on Graham Sutherland’s Black Landscape (1939-1940), Tate Etc, Issue 23, Autumn


Nash, Paul: The Elements, exhibition catalogue, Dulwich Picture Gallery, London, essay by Simon Grant (illustrated in colour, p. 41)


The Dark Monarch, Magic and Modernity in British Art, Tate St Ives exhibition catalogue Bracewell, Michael.

Something Supernatural, This Way Comes, Tate etc., Autumn, pp.62-67 Dillion, Brian. Disc World, Guardian Review, 24 October, p.18


Superstratum, exhibition catalogue, Koraalbery Gallery, Antwerp, Belguim Hussey, Lauren. Interview: For Display Purposes, October, p.13
Geldard, Rebecca. Clare Woods, Modern Painters, November, p.100

2007 Colección VAC (Valencia Arte Contemporáneo), Catalogue of works, Valencia
2006 New Art from London, Chris Townsend, Thames and Hudson  
ESENCIAS 11, exhibition catalogue, Coleccion Ernesto Verntos, Arte 
Deaf Man’s House, text by  CONTACT _Con7C72C3456 \c \s \l Barry Schwabsky, Koenig Books, London
Review. Wright, Karen. Modern Painters, February 2006
Review. Neo 2, February, 2006
Chisenhale Gallery, London (
2005 Extreame Abstraction, Albright-Knox Art Gallery, (
Make 2', Ken Shuttleworth  
Herbert, Martin. Feature. Ambient Landscapes, Tate etc, Summer 2005
2004 Monument to Now, Deste Foundation of Contemporary Art, (
Printed Project, letters from five continents, Saskia Bos & Rob      
Forst, Wolverhampton Art Gallery, (
Failed Back, Modern Art 
Stay Positive, Marella Arte Cantemporanea, (
New British Painting, John Hansard Gallery, (  
Herbert, Martin. Review. In: Time Out, London, March 17-24, pg 47
2003 40 Views of and Icon, Comme des Garcons
2002 Painting as a Foreign Language, Edificio Cultura Inglesa (
Hill, Joe. Review. ‘New York: Cohan, Leslie & Browne’, 
in: Contemporary, December 2002
Smith, Roberta. “Review Clare Woods”, in: The New York Times, Oct. 25, pg 37
2001 The Hydra Workshop, Hydra Greece, ( 
Tail Sliding, The British Council, ( 
London Underground, Sungkok Art Museum, Korea, ( 
Beck’s Futures, ICA, London, ( 
Bolton, Will, “Clare Woods”, What’s On, January 2001 
McFarland, Dale, Review, in: Frieze, issue 58
Ratnam, Niru. Review. “Painting is Dead, Long Live Painting”, The Face, April
“Masters at Work”, Review. In: I-D Magazine - The Aesthetic Issue,
2000 British Art Paintings II, exhibition catalogue, Diehl 
Vorderwuelbecke, Berlin 
The Art Newspaper, Review. no 108, November
Review. ‘Art, Clare Woods’, in: Evening Standard, 26th October
Allfree, Claire. Review. ‘Art, Clare Woods’, in: Metro Life, Metro, October 27th
Gleadell, Colin. Review. ‘The Power of Paint’, in: Telegraph
 Magazine, p.37, September 16
Review. ‘And if There Were No Stories’, in: Evening Standard, March 8th
Review. ‘Cluster Bomb at Morrison Judd’, in: Flash Art, Jan/Feb