Palm Paintings
Jim Butler - Sean Dawson - Tomory Dodge - Dennis Hollingsworth - Lutz/Guggisberg - Fiona Rae - David Reed - Juan Uslé - Clare Woods
Jim Butler - Sean Dawson - Tomory Dodge - Dennis Hollingsworth - Lutz/Guggisberg - Fiona Rae - David Reed - Juan Uslé - Clare Woods
Palm Paintings
Jim Butler - Sean Dawson - Tomory Dodge - Dennis Hollingsworth - Lutz/Guggisberg - Fiona Rae - David Reed - Juan Uslé - Clare Woods
Jim Butler - Sean Dawson - Tomory Dodge - Dennis Hollingsworth - Lutz/Guggisberg - Fiona Rae - David Reed - Juan Uslé - Clare Woods
Press release
The Buchmann Galerie is pleased to announce the group exhibition Palm Paintings.
The idea for this exhibition derived from a fascination for Indian miniatures of the Mogul period of the seventeenth and eighteenth centuries. The concept for Palm Paintings is based on formats the size of the palm of one's hand. The limitation of the surface demands that both the artist and the viewer approach it using parameters that differ from those for more usual formats.
The works shown are by artists from the gallery as well as other invited artists, and each has met these challenges in his or her own way. In several cases the limited surface is seen as a detail from a larger whole, while others have adapted the choice of motif to the small format.
For additional information on the artists or for visual materials on the works in the exhibition, please do not hesitate to contact the gallery at any time.
Pressemitteilung
Die Buchmann Galerie freut sich die Gruppenausstellung Palm Paintings anzukündigen.
Ausgehend von der Faszination für indische Miniaturen der Mogul Zeit des 17. und 18. Jahrhunderts entstand die Idee zu dieser Ausstellung. Der Begriff Palm Paintings beschreibt Formate von der Größe einer Handfläche. Die Begrenzung der Bildfläche fordert vom Künstler sowie vom Betrachter andere Parameter der Herangehensweise im Vergleich zu gewöhnlichen Formaten.
Gezeigt werden Künstler der Galerie und weitere eingeladene Künstler, die sich auf ihre eigene Weise diesen Anforderungen stellen. So wird bei einigen die begrenzte Bildfläche als Ausschnitt eines größeren Ganzen gesehen, andere passen die Motivwahl dem kleinen Format an.
Für weitere Informationen über die Künstler oder Bildmaterial können Sie sich gerne jederzeit mit der Galerie in Verbindung setzen.
Sean Dawson
| 2011 | Abstract confusion, b-05 Kunst- und Kulturzentrum Montabaur, Kerber Verlag 2011 |
| 2010 |
Rohkunstbau XVII, Verlag Hans Schiler, Berlin 2010 Wo Sammler gerne kaufen, article by Christian Herchenröder, Handelsblatt Kunstmarkt, 24.09.2010 |
| 2007 | A Tribute to 35 Years of the Essl Collection, Essl Museum, Klosterneuburg/Wien, (exhib.cat.) |
| 2006 | Wittneven, Katrin, “Verzerrungen” in: Der Tagesspiegel, 14.01.2006, p. 24 |
| 2004 |
Kingdom, John Beagles, p11, a.n. Magazine. November Issue East International, Daniela Johnson, p65, Flash Art. October Issue # 238 East International, Martin Herbert, pp.28-30, Art Monthly. September Issue # 279 East International, Andrea Mason, pp.6-7, a.n. Magazine. September Issue East International, George Szirtes, pp.118-119, Modern Painters. Autumn EAST International Catalogue (The Kingdom of Incest, text on Sean Dawson by Cedar Lewisohn), July/Aug 2004 The TI Group Art Collection: Painting Graduates of the RCA 1975-2000, TI Group Go East, News, p.22, a-n Magazine, July 2004 News, by Richard Dyer, p.15, Contemporary Magazine, Issue 60, Feb/Mar 2004 |
| 2003 |
Bag Lady, review by Helen Sumpter, Time Out Magazine, 10-17 Dec 2003 212121 Painting: From Postconceptualism to Recontextualism, Brian Muller, pp.32-41, Contemporary Issue 58, Dec 03/Jan 04 Sean Dawson, by Richard Dyer, pp.46-49, Contemporary Issue 58, Dec 03/Jan 04 |
| 2002 |
London Calling, Nick Jones' review of John Moores 22, in Facto Magazine Who Needs Harry's Bar, review of John Moores 22, The Independent Lost in Liverpool, review of John Moores 22, TheTimes Independent Spirit, review of John Moores 22, AN Magazine Neverland, reviewed by Sarah Kent, p51, Time-Out Magazine |
| 2000 | The Wreck of Hope, Stuart Croft, p24, AN Magazine |
| 1998 |
News at the Galleries, London. Flash Art Art Review, Sue Hubbard, Time-Out Magazine, London |
Fiona Rae
| 2020 |
Moszynska, Anna, World of Art: Abstract Art, London, UK: Thames & Hudson Ltd
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| Reason Gives No Answers: Selected Works from the Collection (exhibition catalogue), text by William S.Burroughs, London, UK: Other Criteria Books | |
| 2018 |
Fiona Rae (exhibition catalogue), text by Gilda Williams, Seoul, Korea: Hakgojae Cheongdam
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| Content is a Glimpse (exhibition catalogue), text by Jurriaan Benschop, Berlin, Germany: Efremidis Gallery | |
| Cahill, James, Ways of Being: Advice for Artists by Artists, London, UK: Laurence King Publishing Ltd | |
| 250th Summer Exhibition Illustrated 2018 (exhibition catalogue), edited by Grayson Perry, London, UK: Royal Academy of Arts | |
| 2017 |
Marr, Andrew, A Short Book about Painting, London, UK: Quadrille Publishing Ltd |
| Summer Exhibition Illustrated 2017: A Selection from the 249th Summer Exhibition, (exhibition catalogue), text by Richard Davey, London, UK: Royal Academy of Arts | |
| 2016 |
Fiona Rae (exhibition catalogue), text by André Buchmann, Berlin, Germany: Buchmann Galerie |
| Summer Exhibition Illustrated 2016: A Selection from the 248th Summer Exhibition (exhibition catalogue), edited by Richard Wilson, London, UK: Royal Academy of Arts | |
| Fullerton, Elizabeth, Artrage! The Story of the Britart Revolution, London, UK: Thames & Hudson | |
| Getlein, Mark, Living with Art, Eleventh Edition, USA: McGraw Hill | |
| Sayre, Henry M., A World of Art, Eighth Edition, Oregon State University-Cascades Campus, USA: Prentice Hall | |
| Hickey, Dave, 25 Women: Essays on their Art, Chicago, USA: The University of Chicago Press | |
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2015 |
Summer Exhibition Illustrated 2015: A Selection from the 246th Summer Exhibition (exhibition catalogue), text by Richard Davey, London, UK: Royal Academy of Arts
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Fiona Rae (exhibition catalogue), interview by Martin Herbert, London, UK: Timothy Taylor Gallery |
| Imagining a University: Fifty Years of the University of Warwick Art Collection (exhibition catalogue), texts by Liz Dooley, Eleanor Nairne, Alan Powers, Sara Selwood, Sarah Shalgosky and Beth Williamson, Warwick, UK: Mead Gallery | |
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2014 |
Rutka, Fiona and Maureen Cross, “The Making of Fiona Rae, RA: In Conversation with a Young British Artist.” Immediations Vol. 3 No.3. London, UK: The Courtauld Institute of Art |
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Williams, Gilda, How to Write About Contemporary Art, London, UK: Thames & Hudson |
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(detail) (exhibition catalogue), essays by Andrew Bracey, Simón Granell, Brian Curtin, James Elkins, David Ryan, London, UK: Transition Editions |
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Here Today... (exhibition catalogue), essay and artist texts by Dr. Alison Bracker, London, UK: Artwise Curators |
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As I run and run, happiness comes closer (exhibition catalogue), foreword by Angélique Aubert, text by Jérôme Sans, interview with Fiona Rae, Paris, France: Emerige |
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Between Worlds (exhibition catalogue), text by Jane Neal, Mumbai, India: Galerie Isa |
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Within/Beyond Borders: The Collection of the European Investment Bank at Banco de Portugal (exhibition catalogue), text by Delphine Munro, Lisbon, Portugal: Banco de Portugal |
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Painter, Painter: Dan Perfect, Fiona Rae (exhibition catalogue), texts by Martin Herbert, introduction by Tristram Aver, Nottingham, UK: Nottingham City Museums & Galleries |
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Frieze Art Fair, London 2014, text by Martin Herbert, London, UK: Frieze |
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Prelude #1: Morceaux choisis d’une collection par Laurent Dumas, interview with Laurent Dumas by Marie Maerten, Paris, France: ADAGP |
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Roles, John, Leeds Museums and Galleries: Director's Choice, London, UK: Scala |
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Summer Exhibition Illustrated 2014: A Selection from the 246th Summer Exhibition (exhibition catalogue), text by Richard Cork, London, UK: Royal Academy of Arts |
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2013 |
Donation Florence et Daniel Guerlain - dessins contemporains (exhibition catalogue), texts by Jonas Storsve, Antonio Mirabile and Julien Brochier, foreword by Alain Seban, preface by Alfred Pacquement, Centre Pompidou, Paris, France: Editions du Centre Pompidou |
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Encounter: The Royal Academy in the Middle East (exhibition catalogue), texts by David Thorp, Dr Kathy Battista and Sa'id Costa, London, UK: Royal Academy of Arts |
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Getlein, Mark, Living with Art, Tenth Edition, USA: McGraw Hill |
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Corwin, William, Prophetic Diagrams (online exhibition catalogue), London, UK: George and Jørgen |
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2012 |
Arnason, H. Harvard, and Elizabeth Mansfield, History of Modern Art: Painting, Sculpture, Architecture, Photography, 7th ed. London, UK: Laurence King Publishing Ltd. |
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Encounter: The Royal Academy in Asia (exhibition catalogue), texts by David Thorp and Dr Charles Merewether, London, UK: Royal Academy of Arts |
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Meanings of Abstract Art, Between Nature and Theory, edited by Paul Crowther and Isabel Wünsche, London, UK: Routledge |
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Frieze Art Fair, London 2012, text by Sally O’Reilly, London, UK: Frieze |
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RA Now (exhibition catalogue), text by Mel Gooding, introduction by Christopher Le Brun, London, UK: Royal Academy of Arts |
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Sayre, Henry M., A World of Art, Sixth Edition, Oregon State University-Cascades Campus, USA: Prentice Hall |
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Sanctuary: Britain’s Artists and their Studios, texts by Hossein Amirsadeghi, Iwona Blazwick, Richard Cork and Tom Morton, London, UK: TransGlobe Publishing |
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London Twelve (exhibition catalogue), texts by Toby Clarke and Olga Malá, Prague, Czech Republic: City Gallery Prague |
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Fiona Rae: Maybe you can live on the moon in the next century (exhibition catalogue), text by Gilda Williams, introduction by Sarah Brown, Leeds, UK: Leeds Museums and Galleries |
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Summer Exhibition Illustrated 2012: A Selection from the 244th Summer Exhibition (exhibition catalogue), text by Tess Jaray, London, UK: Royal Academy of Arts |
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2011 |
American and European Painting from the Marx Collection (exhibition catalogue), texts by Eugen Blume, Lena Hennewig, Lech Karwowski, Magdalena Lewoc, Erich Marx and Katharina Schlüter, Szczecin, Poland: National Museum in Szczecin |
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Making a Scene (exhibition catalogue), text by Eleanor Nairne, Southampton, UK: Southampton City Art Gallery |
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Colección de Pintura Contemporánea Internacional (exhibition catalogue), texts by José María Arias Mosquera, David Barro and María de Corral, A Coruña, Spain: Fundación Barrié |
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Within/Beyond Borders (exhibition catalogue), text by Delphine Munro, Athens, Greece: Byzantine and Christian Museum, Athens |
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Between Film and Art - Storyboards from Hitchcock to Spielberg (exhibition catalogue), texts by Katharina Henkel, Kristina Jaspers, Peter Mänz, Andreas C. Knigge, Lena Nievers and Nils Ohlsen, Emden, Germany: Kunsthalle Emden |
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Fiona Rae (exhibition catalogue), interview by Dan Perfect, Berlin, Germany: Buchmann Galerie |
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Royal Academy Illustrated 2011: A Selection from the 243rd Summer Exhibition (exhibition catalogue), text by Richard Cork, London, UK: Royal Academy of ArtsFiona Rae (exhibition catalogue), text by Richard Shone, London, UK: Waddington Galleries |
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2010 |
Pooke, Grant, Contemporary British Art: An Introduction, London, UK: Routledge |
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Pooke, Grant and Whitham, Graham, Understand Contemporary Art, London, UK: Hodder Education |
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Barret, Terry, Making Art: Form and Meaning, New York, USA: McGraw-Hill Publishers |
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Cohen, Stewart, Identity: A photographic meditation from the inside out, Dallas, USA: Dream Editions Press |
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Fiona Rae: Special Fear! (exhibition catalogue), text by Marc Glimcher, New York, USA: PaceWildenstein |
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Art; curated by Michael Craig-Martin (exhibition catalogue), Berlin, Germany: Galerie Haas und Fuchs |
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50 Years at Pace (exhibition catalogue) texts by Arne Glimcher et al. New York, USA: The Pace Gallery |
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Royal Academy Illustrated 2010: A Selection from the 242nd Summer Exhibition (exhibition catalogue), texts by Stephen Chambers and Richard Cork, London, UK: Royal Academy of Arts |
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2009 |
As I run and run, happiness comes closer (exhibition catalogue), text by Nicolas Bourriaud, Paris, France: Galerie Nathalie Obadia |
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Plastic Culture: Legacies of Pop 1986–2008, (exhibition catalogue), texts by Roger Cook and Richard Kirwan, Preston, UK: Harris Museum and Art Gallery |
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Glyndebourne Festival Opera: 75th Anniversary (festival catalogue), Joanna Townsend (ed.), text by Emma Dexter, Lewes, East Sussex, UK: Glyndebourne |
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Painting Today, Tony Godfrey (ed.), London, UK: Phaidon |
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Arnason, H. Harvard, and Elizabeth Mansfield, History of Modern Art: Painting, Sculpture, Architecture, Photography, 6th ed. London, UK: Laurence King Publishing Ltd. |
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2008 |
Fiona Rae (exhibition catalogue), text by Matthew Collings, London, UK: Timothy Taylor Gallery |
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Toff, Dennis, The Painter RAs, London, UK: Unicorn Press |
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Rowan, Tiddy, Art in the City: London, London, UK: Quadrille |
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Rowan, Tiddy, Art in the City: Paris, London, UK: Quadrille |
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History in the Making: A Retrospective of the Turner Prize, text by Kondo Kenichi, Japan: Mori Art Museum |
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Paixóns Privadas, Visions Publicas (exhibition catalogue), text by Javier Fuentes Feo, Vigo, Spain: Museo de Arte Contemporánea de Vigo |
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2007 |
De leur temps (2) Art contemporain et collections privées en France (exhibition catalogue), text by Philippe Piguet, Grenoble, France: Musée de Grenoble |
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Oil Paintings in Public Ownership in the Government Art Collection, Sonia Roe (ed.), London, UK: The Public Catalogue Foundation |
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Open Space: Art in the Public Realm in London 1995–2005, Jemima Montagu (ed.), London, UK: Arts Council England and Central London Partnership |
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Reset: Werke aus der Sammlung Marx, Eugene Blume and Anette Husch (eds.), Berlin, Germany: Hamburger Bahnhof - Museum für Gegenwart |
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Royal Academy Illustrated 2007 (exhibition catalogue), Bill Woodrow (ed.), London, UK: Royal Academy of Arts, London, UK |
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The Turner Prize. Revised Edition, Virginia Button, London, UK: Tate Publishing |
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2006 |
1001 Paintings You Must See Before You Die, texts by Geoff Dyer, Stephen Farthing, Jamie Middleton et al. London, UK: Cassell |
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Fiction @ Love (exhibition catalogue), texts by Victoria Lu, Lim Qinyi and Kim Sunhee, Shanghai and Singapore: Museum of Contemporary Art; Singapore Art Museum |
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Fiona Rae: You are the Young and the Hopeless (exhibition catalogue), text by Dave Hickey, New York, USA: PaceWildenstein |
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New Art on View, London, UK: Scala Publishers, Ltd. |
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Pictograms: The Loneliness of Signs (exhibition catalogue), texts by Marion Ackermann, Pirkko Rathgeber, Theodora Vischer, Hadwig Goez, Cara Schweitzer, Daniela Stöppel, Wolf Tegethoff, Ulrich Wilmes, Georges Didi-Huberman and Tanja Zimmermann, Munich & Berlin, Germany: Deutscher Kunstverlag |
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Tate Modern: The Handbook, Frances Morris (ed.), texts by Michael Craig-Martin, Andrew Marr and Sheena Wagstaff, London, UK: Tate Publishing |
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2005 |
Baroque and Neobaroque/ The Hell of the Beautiful (exhibition catalogue), Salamanca, Spain: DA2 Domus Atrium |
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Blumenstück Künstlers Glück: Vom Paradiesgärtlein zur Prilblume (exhibition catalogue), texts by Gerhard Finckh, Gerhard Graulich, Alexandra Kolossa, Julia Lenz and Ute Riese, Leverkusen, Germany: Museum Morsbroich |
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Colours and Trips (exhibition catalogue), text by Oliver Zybok, Bregenz, Austria: Kunstlerhaus Palais Thurn and Taxis |
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Fiona Rae: Grotto (exhibition catalogue), text by Ralf Christofori, Cologne, Germany: Buchmann Galerie |
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No. 1: First Works by 362 Artists, Francesca Richer and Matthew Rosenzweig (eds.), New York, USA: Distributed Arts Publishers, Inc. |
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2004 |
Fiona Rae: Swag (exhibition catalogue), text by Morgan Falconer, Paris, France: Galerie Nathalie Obadia |
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Tate Women Artists, text by Alicia Foster, London, UK: Tate Gallery Publishing |
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2003 |
Arts Council Collection Acquisitions 1989 – 2002, texts by Marjorie Allthorpe-Guyton, Susan Ferleger Brades and Isobel Johnstone, London, UK: Hayward Gallery Publishing |
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A Bigger Splash: British Art from Tate 1960–2003 (exhibition catalogue), São Paulo, Brazil: Connects Cultura |
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Art at Regents Place, text by Andrea Schlieker, London, UK: The British Land Company |
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Eliasch, Amanda, British Artists At Work, texts by Gemma de Cruz, Kay Hartenstein-Saatchi and Martin Maloney, New York, USA: Assouline Publishing |
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Fiona Rae: Hong Kong Garden (exhibition catalogue), text by Jennifer Higgie, London, UK: Timothy Taylor Gallery |
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New Abstract Painting/ Painting Abstract Now (exhibition catalogue), text by Ute Riese, Leverkusen, Germany: Museum Morsbroich |
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Painting Pictures: Painting and Media in the Digital Age (exhibition catalogue), texts by Annelie Lütgens, Frank Reijnders, Walter Seitter, Knut Ebeling, Ludwig Seyfarth, Raimar Stange, Wolf Jahn and Holger Broeker, Bielefeld, Germany: Kerber Verlag |
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Talking Pieces: text und bild in der neuen kunst (exhibition catalogue), text by Ute Riese, Leverkusen, Germany: Museum Morsbroich |
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L'ABCdaire de l'Art contemporain, Nathalie Bec (ed.), texts by Catherine Francblin, Damien Sausset and Richard Leydier, Paris, France: Flammarion |
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2002 |
The Rowan Collection: Contemporary British and Irish Art (exhibition catalogue), texts by Virginia Button and Brenda McParland, Dublin, Ireland: Irish Museum of Modern Art |
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Adams, Dennis, Acquisitions 1992–2001, Rochechouart, France: Musée départemental d'art contemporain de Rochechouart |
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Fiona Rae (exhibition catalogue), texts by Jean-Pierre Criqui and Simon Wallis, interview by Simon Wallis, Nîmes, France: Carré d’Art - Musée d’art contemporain de Nîmes |
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2001 |
Catalogo de la Colleccion De Arte Contemporaneo Fundación ‘La Caixa’, Maria de Corral and Josep Vilarasau (eds.), Barcelona, Spain: Fundación ‘La Caixa’ De Pensiones |
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Fig-1: 50 Projects in 50 Weeks (exhibition catalogue), Mark Francis, Cristina Colomar and Christabel Stewart (eds.), interview by Mark Francis, London, UK: fig-1 2000 Ltd. and Spafax Publishing |
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Hybrids: International Contemporary Painting (exhibition catalogue), text by Simon Wallis, Liverpool, UK: Tate Publishing |
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AXA Art Corporate Collecting Today, texts by Claus-Michael Dill and Klaus Gallwitz, Cologne, Germany: AXA Art Versicherung AG |
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2000 |
Europe: Different Perspectives in Paintings (exhibition catalogue), Francavilla al Mare, Italy: Museo Michetti |
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Modern Art, texts by Sam Hunter, John Jacobus, and Daniel Wheeler, New York, USA: The Vendome Press |
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Sinclair, Nicholas, Portraits of Artists, texts by Ian Jeffrey and Nicholas Sinclair in conversation with Robin Dance, Aldershot, Hampshire, UK: Lund Humphries |
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1999 |
'45–99: A Personal View of British Painting and Sculpture (exhibition catalogue), text by Bryan Robertson, Cambridge, UK: Kettle’s Yard Gallery |
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Artists. Photographs by Gautier Deblonde, text by Mel Gooding, London, UK: Tate Gallery Publishing, Ltd. |
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Colour Me Blind! Painting in the Age of Computer Games and Comics (exhibition catalogue), text by Ralf Christofori, Stuttgart, Germany: Württembergischer Kunstverein |
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Fiona Rae (exhibition catalogue), text by Michael Tarantino, Nagoya, Japan: Kohji Ogura Gallery |
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Stallabrass, Julian, High Art Lite: British Art in the 1990s, London, UK and New York, USA: Verso |
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Reconciliations: Elizabeth Cooper, Stephen Davis, Fiona Rae, Juan Uslé (exhibition catalogue), text by Jeffrey Hoffeld, New York, USA: DC Moore Gallery |
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Vision: Fifty Years of British Creativity, London, UK: Thames & Hudson |
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Young British Art: The Saatchi Decade, texts by Sarah Kent, Richard Cork and Dick Price, London, UK: Booth-Clibborn Editions |
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1998 |
UK Maximum Diversity (exhibition catalogue), Brian Muller (ed.), Vienna, Austria: Galerie Krinzinger |
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1997 |
Confrontation (exhibition catalogue), Paris, France: Galerie Nathalie Obadia |
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Fiona Rae / Gary Hume (exhibition catalogue), text by Sarah Kent, London, UK: Saatchi Gallery |
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Collings, Matthew, Blimey! From Bohemia to Britpop, the London Artworld from Francis Bacon to Damien Hirst, Cambridge, UK: 21 Publishing |
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Buck, Louisa, Moving Targets: A User’s Guide to British Art Now, London, UK: Tate Gallery Publishing |
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Sensation: Young British Artists from The Saatchi Collection (exhibition catalogue), texts by Brooks Adams, Norman Rosenthal, Richard Shone, Martin Maloney and Lisa Jardine, London, UK: Thames and Hudson in association with the Royal Academy of Arts |
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Shand Kydd, Johnnie, Spit Fire: Photographs from the Art World, London, 1996/7, London, UK and New York, USA: Thames and Hudson; Violette Editions |
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Button, Virginia, The Turner Prize, London, UK: Tate Gallery Publishing |
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Treasure Island (exhibition catalogue), Lisbon, Portugal: Fundação Calouste Gulbenkian |
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Rue Descartes / 16, Pratiques abstraits, Catherine Perret (ed.), France: Collège International de Philosophie, Imprimerie des Presses Universitaires de France |
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1996 |
About Vision: New British Painting in the 1990s (exhibition catalogue), includes artist statement, Oxford, UK: Museum of Modern Art |
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Fiona Rae (exhibition catalogue), text by Richard Shone, interview by Daniel Richter, Berlin, Germany: Contemporary Fine Arts |
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Made In London: A Collection of Works by London Based Artists Made in the 1990s, London, UK: Simmons and Simmons |
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Nuevas Abstracciones (exhibition catalogue), Díaz de Rábago, Belén (ed.), Belén Díaz de Rábago (ed.), texts by Enrique Juncosa, Arthur C. Danto and Demetrio Paparoni, Madrid and Barcelona, Spain: Museo Nacional Centro de Arte Reina Sofía; Museu d’Art Contemporani de Barcelona |
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Schmitz, Britta, ‘Fiona Rae’, Sammlung Marx, Berlin, Germany: Hamburger Bahnhof - Museum für Gegenwart |
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The 20th-Century Art Book, London, UK: Phaidon Press |
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The Berardo Collection, texts by Sarah Wilson, Marco Livingstone, Ann Hindry, Robert Rosenblum and Alexandre Melo, Sintra, Portugal: Sintra Museum of Art |
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Morgan, Stuart, ‘Fiona Rae: Playing for Time’, What the Butler Saw, Ian Hunt (ed.), London, UK: Durian Publications |
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Chadwick, Whitney, Women, Art, and Society. 2nd ed., rev. and expanded, London, UK: Thames and Hudson |
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1995 |
Art and Design: British Art - Defining the 90s, London, UK: Academy Editions |
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Des Limites du Tableau: les Possibles de la Peinture (exhibition catalogue), texts by Jean-Marc Prévost and Ann Hindry, Rochechouart, France: Musée Départmental du Rochechouart |
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Fiona Rae (exhibition catalogue), text by Richard Shone, London, UK: Waddington Galleries |
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From Here (exhibition catalogue), text by Andrew Wilson, London, UK: Waddington Galleries and Karsten Schubert |
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New Voices (exhibition catalogue), text by Adrian Searle, UK: British Council |
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Repicturing Abstraction (exhibition catalogue), texts by Arthur C. Danto, Richard Waller, H. Ashley Kistler, Chris Gregson and Steven S. High, Richmond, Virginia, USA: Anderson Gallery, Virginia Commonwealth University |
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1994 |
Chance, Choice and Irony (exhibition catalogue), texts by Tony Godfrey et al. London, UK: Todd Gallery and John Hansard Gallery |
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Fiona Rae (exhibition catalogue), text by Emma Dexter, New York, USA: John Good Gallery |
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Kent, Sarah, 'Fiona Rae', Shark Infested Waters: The Saatchi Collection of British Art in the 90s, London, UK: Zwemmer Publishing |
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Unbound: Possibilities in Painting (exhibition catalogue), text by Adrian Searle, London: Hayward Gallery, The South Bank Centre |
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1993 |
A Decade of Collecting: Patrons of New Art Gifts 1983–1993 (exhibition catalogue), London, UK: Tate Gallery |
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Fiona Rae (exhibition brochure), text by Emma Dexter, London, UK: Institute of Contemporary Arts |
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New Voices, Noves Veus, includes artist statement, UK: British Council |
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1992 |
Fiona Rae (exhibition catalogue), text by Thomas Kellein, Basel, Switzerland: Kunsthalle Basel |
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New Voices: New Works for the British Council Collection (exhibition catalogue), London, UK: British Council |
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British Contemporary Art, 1910-1990: Eighty Years of Collecting by The Contemporary Society (exhibition catalogue), texts by Judith Collins et al. London, UK: New Amsterdam Books |
| 1991 | A View of London (exhibition catalogue), text by Michael Archer, Salzburg, Austria: Salzburger Kunstverein |
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British Art from 1930 (exhibition catalogue), London, UK: Waddington Galleries |
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Fiona Rae (exhibition catalogue), text by Stuart Morgan, London, UK: Waddington Galleries |
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John Moores Liverpool Exhibition Seventeen (exhibition catalogue), Liverpool, UK: National Museums and Galleries on Merseyside, Walker Art Gallery |
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La Metafisica della Luce (exhibition catalogue), text by Demetrio Paparoni, translated from the Italian by John Stezka, New York, USA: John Good Gallery |
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Turner Prize Exhibition 1991: An Exhibition of Work by Shortlisted Artists: Ian Davenport, Anish Kapoor, Fiona Rae and Rachel Whiteread (exhibition catalogue), text by Sean Rainbird, London, UK: Tate Gallery Publications |
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Who Framed Modern Art or The Quantitative Life of Roger Rabbit (exhibition catalogue), texts by Tricia Collins and Richard Milazzo, New York, USA: Sidney Janis Gallery |
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1990 |
Aperto (exhibition catalogue), Venice, Italy: La Biennale di Venezia |
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Contemporary London, Cologne, Germany: Nordstern Versicherungen AG |
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Fiona Rae (artist book), Glasgow, UK: Third Eye Centre |
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The British Art Show 1990 (exhibition catalogue), texts by Caroline Collier, Andrew Nairne and David Ward; includes artist statement, London, UK: South Bank Centre |
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Voorwerk 1 (artist box), Rotterdam, the Netherlands: Witte de With, Center for Contemporary Art |
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1989 |
Promises, promises (exhibition catalogue), text by Adrian Searle, London, UK: Serpentine Gallery |
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1988 |
Freeze (exhibition catalogue), text by Ian Jeffrey. London, UK: s.n. |
Clare Woods
| 2018 |
Reality Dimmed, Mead Gallery, Warwick Arts Center, UK (exh. cat.) H. Juddah: Clare Woods, Mead Gallery, Warwick Arts Centre, Coventry, UK, Frieze, April |
| 2017 |
Victim of Geography, Dundee Contemporary Arts, Dundee, UK (exh.cat.) |
| 2016 |
The Romantic Thread in British Art, Southampton City Art Gallery, Southampton, UK (exh.cat.) A. Marr, J.Higgie, M.Bracewell, R. Daniels, S. Martin, Clare Woods Strange Meetings, Art Books Publishing, London, UK |
| 2015 |
Imagining A University, Fifty Years of The University of Warwick Art Collection, Warwick University, Warwick, England (exh.cat.) |
| 2014 |
A Tree A Rock A Cloud, Clare Woods (The National Collection Of Wales, Oriel Davies, Wales) Brask Collection at Munkeruphus (Munkeruphus Art Museum, Gilleleje, Denmark) Under the Greenwood, Picturing the British Tree from Constable to Kurt Jackson (St Barbe Museum and Art Gallery and Southampton City Art Gallery, Lymington, UK) |
|
2011 |
Bracewell, Michael & Stephens, Chris: The Unquiet Head, Hepworth Wakefield, (exh.cat.) |
| 2010 |
Nash, Paul: The Elements, Dulwich Picture Gallery, London, essay by Simon Grant (illustrated in colour, p. 41) |
| 2009 |
The Dark Monarch, Magic and Modernity in British Art, Tate St Ives (exh.cat.) Bracewell, Michael: Something Supernatural, This Way Comes, Tate etc., Autumn, pp.62-67 Dillion, Brian: Disc World, Guardian Review, 24 October, p.18 |
| 2008 |
Superstratum, Koraalbery Gallery, Antwerp, Belguim (exh.cat.)
Hussey, Lauren. Interview: For Display Purposes, October, p.13 |
| 2007 | Colección VAC (Valencia Arte Contemporáneo), Catalogue of works, Valencia |
| 2006 |
New Art from London, Chris Townsend, Thames and Hudson ESENCIAS 11, exhibition catalogue, Coleccion Ernesto Verntos, Arte International Deaf Man’s House, text by Barry Schwabsky, Koenig Books, London Review. Wright, Karen. Modern Painters, February 2006 Review. Neo 2, February, 2006 Chisenhale Gallery, London (exh.cat.) |
| 2005 |
Extreme Abstraction, Albright-Knox Art Gallery, (exh.cat.) Make 2', Ken Shuttleworth Herbert, Martin. Feature. Ambient Landscapes, Tate etc, Summer 2005 |
| 2004 |
Monument to Now, Deste Foundation of Contemporary Art, (exh.cat.) Printed Project, letters from five continents, Saskia Bos & Rob Tufnell Forest, Wolverhampton Art Gallery, (exh.cat.)
Failed Back, Modern Art, London (exh.cat.) New British Painting, John Hansard Gallery, (exh.cat.) Herbert, Martin. Review. In: Time Out, London, March 17-24, pg 47 |
| 2003 | 40 Views of and Icon, Comme des Garcons |
| 2002 |
Painting as a Foreign Language, Edificio Cultura Inglesa (exh.cat.)
Hill, Joe. Review. ‘New York: Cohan, Leslie & Browne’, in: Contemporary, December 2002 Smith, Roberta. “Review Clare Woods”, in: The New York Times, Oct. 25, pg 37 |
| 2001 |
The Hydra Workshop, Hydra Greece, (exh.cat.) Tail Sliding, The British Council, (exh.cat.) London Underground, Sungkok Art Museum, Korea, (exh.cat.)
Beck’s Futures, ICA, London, (exh.cat.) |
| 2000 |
British Art Paintings II, exhibition catalogue, Diehl Vorderwuelbecke, Berlin The Art Newspaper, Review. no 108, November Review. ‘Art, Clare Woods’, in: Evening Standard, 26th October Allfree, Claire. Review. ‘Art, Clare Woods’, in: Metro Life, Metro, October 27th Gleadell, Colin. Review. ‘The Power of Paint’, in: Telegraph Magazine, p.37, September 16 Review. ‘And if There Were No Stories’, in: Evening Standard, March 8th Review. ‘Cluster Bomb at Morrison Judd’, in: Flash Art, Jan/Feb |
